Feminist Porn In Context

Note:  This is one of a series of posts about articles in The Feminist Porn Book. The other posts can be found here. 

Lynn Comella has a great piece in The Feminist Porn Book with the lovely (if academese-ish) title "From Text to Context: Feminist Porn and the Making of a Market" in which she gives us some of the historical of feminist porn as part of a way to contextualize current feminist porn.  Interestingly, this is done as a sort of response to some of the usual critiques by antiporn feminists, which are often "essentialist and reductionist".  Comella tells us:

Sex-positive feminists—those who make, watch, study, and write about pornography—are frequently accused by antipornography feminists of lacking any meaningful critique of the mainstream porn industry. And while antiporn feminists may occasionally acknowledge porn made by and for women, they typically do so only in passing before dismissing it as irrelevant. The reasons for this vary, but include the stance that pornography geared toward women comprises such a small segment of a much larger industry that its effects are virtually negligible, or that porn for women apes, rather than challenges, the dominant codes and conventions used by mainstream pornographers whose sole motivation, according to this narrative, is profit. The notion of “sex-positive synergy” challenges these arguments.

I must admit that the phrase "sex-positive synergy" makes me cringe--but "synergy" is being used as a technical term here:  Comella is making a case that the entire history of sex-positive feminism should be taken into account when examining feminist porn.  Feminist porn didn't arrive in a vacuum, and neither did it come simply as an aping of mainstream porn, as is often portrayed by antiporn folks.  It came as part of a cultural package that included other sex-positive facets of culture, including feminist sex-education efforts, feminist sex toy stores, lesbian feminist products and the like.  

Comella traces several threads of this cultural package which I encourage folks to read--I learned a lot about how many feminist porn creators came to be creating feminist porn--and the part that places like Good Vibrations played in all of this.  

In addition, Comella makes one of the most rigorous responses to Gail Dines, who is famous for armchair-analyzing things she doesn't know much about. Just a tidbit, to whet your appetite:  

The seminar Dines references—although did not attend—was one that I had moderated and helped to organize. In fact, joining me on stage were two feminist sex-toy retailers, Jacq Jones from Sugar in Baltimore and Mattie Fricker from Self Serve in Albuquerque, accompanied by Carol Queen from Good Vibrations, Diana DeVoe, a female porn producer, and Greg DeLong, the founder of Njoy, a sex-positive company that makes high quality, stainless steel sex toys. It was hardly the cesspool of women-hating “tricksters” and “predatory capitalists” that Dines describes; rather, the very composition of the panel reflects the kind of sex-positive synergy and entrepreneurship I’ve discussed throughout this essay.

I love that Comella points out that Dines was basically making shit up, while other feminists were actually doing feminist work.  I plan in the future, when folks who "critique" feminist porn by merely saying that it's aping mainstream porn, to quickly point to Comella's article, which soundly undermines such ideas with, y'know, facts and stuff. 

Bonus! Here's a talk by Comella with some of her research:
Lynn Comella, PhD from New View on Vimeo.

Listening to Sinnamon Love

"I was naive about the sexual liberation movement, and had never considered whether or not my decision to flaunt my sexuality on screen was a feminist act. I had never wondered whether fighting for the right to be both mother and sex worker was part of a greater fight for the rights of women around the world. I certainly had never given thought to whether my choice to be tied up, disciplined, and fucked by men and women on film contributed to sexual freedom.All I knew was that I alone was responsible for my body, my life, my sexuality, and my bills. It never crossed my mind that someone might tell me what I should or shouldn’t do with my body or my sex".--Sinnamon Love, The Feminist Porn Book

As I talked about in my post on Jiz Lee's contribution to The Feminist Porn Book, I find that listening to folks who work in and produce porn to be one of the best ways to understand how so many of the arguments from anti-porn feminists just don't hold up.  Once we listen to the folks who are actually doing this kind of work, it's easier to understand that this work can be inextricably intertwined with not only straight-up feminist work, but also social justice work around race, class, queerness and the like.  

Sinnamon Love has been in the industry for almost twenty years and, as a black woman, she has the nuanced, complex insight into the industry that one would expect from somebody so experienced.  Racism is rampant in porn (as it is in film, and society in general, of course), and Love gives us all sorts of insights into how her work from inside the system has helped to fight the good social justice fight around race, and in doing so she touches on how "feminism" sometimes needed to take a back seat because of the intense need to de-stigmatize black women's sexuality:

 "I’ve set a goal to enjoy my work so that my fans will enjoy it as well. I find myself more concerned with the representation of black women’s sexuality than making a statement only about my gender. Perhaps this is because so many people fight the good fight on behalf of (white) women and so few are fighting for black women like me. For example, there are countless examples of white women’s sexualities portrayed in porn, but very limited images of African American women. And when you do see black women in porn, they are often stereotyped or demeaned."

As she began to better recognize the negative elements in her workplace, she began to fight them, utilizing feminist ideas and methods (for instance: she became a producer!).  And, as was echoed in Jiz Lee's piece, agency is all-important as regards doing this kind of work:

"There is no doubt in my mind today that I am a feminist....[f]or me it is about agency. My black feminism is about helping women like me to be able to claim their sexuality in the face of decades of mis-education of African American women who were made to believe that they must choose between education, marriage, and family, or sexual freedom...I suppose, if I were to label who I am today, I would call myself a black feminist pornographer. Instead of accepting work merely to insure the bills get paid, I purposefully work for directors and companies that portray black female sexuality in ways that I feel are expansive, progressive, and interesting."

I encourage y'all to read the entire piece in The Feminist Porn Book, as it is packed with so many insights that it was tough to pick the ones I wanted to talk about here.  She covers 19 years in the industry in just a few pages!  It's also a thoroughly "positive" piece, talking about the practical ways that Love has worked to change things in the industry.   

Links:
Sinnamon Love's site
The Feminist Porn Book

 

Feminist Reading: Battling Pornography

There is little that tends to polarize feminist communities more than discussions about pornography.  Carolyn Bronstein has written a fantastic book, Battling Pornography, which gives us an in-depth look at how various feminist movements in the 60's and 70's helped to move pornography "...to the forefront of the American women's movement in the 1980s, singled out by some leading feminists as a key agent of female oppression and celebrated by others as an essential ingredient of sexual liberation."  

My favorite part of Bronstein's book is that it doesn't shy away from the complexities of the issues.  It's a great read; I urge you to go buy it:

Bronstein was kind enough to do a pretty in-depth interview with me, below, about some of the issues that I thought would be of particular interest to readers of this blog.

FA:  First of all, thank you so much for doing this interview, and thank you for writing such a fascinating book. I've done a bit of reading about feminism and pornography, and I had no idea about a lot of the history involved.  Who is the intended audience for this book?

I hope that Battling Pornography will appeal to both academic and popular audiences.  Among academics, I think that American historians and sociologists, especially those specializing in women’s history, the history of gender and sexuality, social movements and popular culture will find the book useful and insightful, and will provide a new context for understanding anti-pornography organizing.  Media studies scholars are also a primary audience for the book, as it emphasizes the representation of women in advertising, television and film, and examines how radical feminists in the 1970s and 1980s tried to challenge the dominant constructions of femininity and masculinity created and reinforced by popular media.  Pornography is of interest to most academic disciplines: psychologists try to elucidate the potential for harmful effects on users; political scientists and legal scholars are interested in citizen and government attempts to restrict its free flow and the scope of the First Amendment in terms of protecting  this type of expression; philosophers debate the moral and ethical questions surrounding exploitation and consent among sex workers, which includes the live actors who appear in adult films and magazines, and on adult websites.  To the extent that pornography has implications for many academic disciplines, I hope that a wide range of scholars will find Battling Pornography to be an informative and engaging resource. 

In terms of a general audience, I expect that the book will draw readership from people with interests in feminism, sexuality, popular media and American history.  I hope that today’s young feminists—the third wavers—will pick up Battling Pornography and will come away with a deeper understanding of the unflagging campaign against sexism in media that the anti-pornography feminists led, and how hard they worked to illuminate and contest a culture of male violence against women, especially rape and battering.  Too many young women have been exposed to caricatures of anti-pornography feminists as anti-sexual manhaters who sought to eradicate all forms of sexual expression, and this stereotype has helped create barriers between older and younger feminists, with the latter coming to perceive themselves as rejecting and overthrowing the sexual puritanism of their foremothers.  One lesson that I hope that readers of Battling Pornography will learn is that the vast majority of anti-pornography feminists opposed violence, not sex.  They saw their work against sexualized media violence as a means of reducing women’s vulnerability to assault by eradicating gender stereotypes of woman as passive victim and man as lustful brute.  They did so in hopes that women might achieve the authentic sexual liberation that the sexual revolution had promised, but had failed to deliver. 

I also hope that feminists who were active in the debate, in either the anti-pornography or pro-sex camp, will read the book and perhaps come away with a better understanding of how those on the other side of the fence interpreted the pornography problem.  Some 30 years after the famous 1982 Barnard Conference that I discuss in the book, the mention of this event (famous for its bitter and public clash between anti-pornography and pro-sex feminists) continues to ignite passion, anger and resentment.  The writer Dorothy Allison has identified Barnard as the place where many feminists “lost our religion,” meaning that the women’s movement ceased to be a safe space where diverse voices and opinions could be heard and respected.  I suppose it’s too much to even hope that Battling Pornography could help heal some of those divisions by giving readers greater insight and context for understanding both sides of the movement, but somehow I do still wish that could happen. 

Finally, I think that the book covers significant ground for anyone who is interested in understanding the contemporary pornography scene, and how and why pornography has become a ubiquitous feature of modern life.  When attempts to control its spread through public education and consciousness raising and new legal approaches failed in the mid-1980s, at the same moment that changes in technology made it possible to pipe unlimited adult material into American homes through video and cable television, the stage was set for a seemingly unstoppable proliferation of pornography in American life.   

Battling Pornography takes a nuanced, complex look at the history of anti-pornography movements, indicating a progression of ideas and how those movements and ideas have led us to the places we are today regarding pornography, popular culture, and feminism.  I take a lot of what you wrote partly as a response to overly-simple critiques on all sides of the issue.  Why do you think we keep finding ourselves continually coming back to critiques that (to oversimplify!) complain that anti-porn folks are prudes and pro-porn folks are pimps/sluts/etc.?  Can knowledge of the history of progression of feminist thought and movements around porn help?

Binary categories are appealing.  They provide a mental shortcut that enables us to organize our thoughts about the social world in predictable and easily accessible ways:  Male or female.  Democrat or Republican.  Anti-porn or pro-sex.  A fellow academic demanded just the other day that I identify myself as one or the other: stand and shoot!  This made me realize how badly we need some new terminology to describe feminists like me who see value in both sets of arguments, and would prefer to weave the positions together in ways that encourage and embrace sexual freedom and pleasure while recognizing that not every sexual act or exchange is transgressive or liberatory just because someone insists that it is.  There is always potential for exploitation in human relationships, and the feminist anti-pornography analysis has much to offer in terms of thinking through global problems like sex trafficking.  I do believe that new histories of anti-pornography and pro-sex organizing like Battling Pornography will reveal the existence of more complex issue positions among feminists, and will point us toward new ways of critiquing sexual harm without abandoning the right of individuals to pursue a diverse, satisfying and unfettered sexual life.

The tone of the book is one of neutrality on the issues, to some extent.  As a feminist, is it harder to be a sociologist/historicist around these issues than it would be around any others?  Did you have any concerns around the "objective" framework, given that there are numerous feminist critiques of such frameworks as patriarchal?

When I began researching the history of the grassroots feminist groups that the book discusses—WAVAW, WAVPM, and WAP—I was surprised at how little had been published about their origins, members and campaigns.  The majority of what I found dealt with WAP from about 1982 onward, and with the MacKinnon-Dworkin anti-pornography ordinances.  So, one purpose in writing Battling Pornography was to document the extraordinary work that these groups did around media violence in the late 1970s and early 1980s, to preserve their achievements and enrich the history of late twentieth century American feminism.  But, I wouldn’t necessarily agree that the framework is objective because the very nature of my reading and interpreting the groups’ unpublished manuscript collections transforms it into a subjective account.  I  had to make decisions about what events to describe, which activists to highlight, and which ideas to foreground, and in so doing, I brought my own biases and beliefs to the table.  recognize that it was not possible to create an objective account. 

As one reads deeper into the book, I do let my position on the issues be known.  In short, I think that WAVAW had it right:  focus on popular media; subsume pornography under violence, not the other way around; recognize that men and women are both victims of gender stereotypes that glamorize violence, and above all, stick with public education, consciousness raising and consumer action techniques rather than seeking protection from the state.  I write in the book that the movement only became controversial when feminists began emphasizing pornography as the target and started to look at creating new laws.  Countering fierce opposition from free speech advocates, liberals and pro-sex feminists drained movement energy and resources, and hampered activists’ ability to achieve concrete goals. 

Although I periodically introduce my opinion, I purposefully did not make it a central feature of the book.  Most of what is published on the anti-pornography movement has been written by participants or their pro-sex challengers, and takes an explicit position with regard to the correctness (or not) of anti-pornography theory and politics.  I thought the greatest contribution I could make at this time would be to use my critical distance as a non-participant to offer a factual, insightful and empathic account of the movement that shows how the grassroots groups formed and changed over time, why they made certain strategic decisions that led to the anti-pornography emphasis, and how external political, cultural and social factors affected their trajectories.  There is no other book available at this time that gives you a thorough view of the development of the feminist anti-pornography movement.  Given the movement’s lasting impact on American society and American feminism, I thought such a book needed to be written. 

Since this is an "ally" site, I also want to ask: Is there anything in particular that you think men ought to get out of this book, in addition to or different from what women will get out of it?

      One of the most surprising aspects of my research was the discovery that members of the earliest grassroots anti-media violence group, WAVAW, were critically concerned about the well-being of men.  They argued that the glorified images of sexual violence presented in popular media taught men that women secretly liked to be raped, and instilled in them the dangerous idea that a real man was a brute.  Instead of vilifying men, which is something that anti-pornography feminists are uniformly charged with, members of WAVAW believed that men were victims too, systematically warped by media images of maleness.  They decried such images as “crippling” and “maiming” and insisted that they were devastating for both sexes.  This belief in the artificial nature of gender was consistent with radical feminism and the belief that heterosexuality was an institution designed to ensure the continued subordination of women.  Nonetheless, I was surprised by the empathy that members of WAVAW showed for men and the pressure they face even today to conform to social expectations for traditionally masculine behavior.  I think that men who read Battling Pornography might realize that many of these feminists were not anti-male at all.  They opposed depictions of men that normalized violent behavior as expected and desirable. 

Do you have any plans to do another book that leads us up to the present day around these movements, or even makes more analysis of what should/will come next?

This question brought to mind an experience I had in 2004 when I heard John D’Emilio, an outstanding historian of sexuality, give a talk about his book Lost Prophet: Bayard Rustin and the Quest for Peace and Justice in America, which had been published the year prior.  When he finished his talk, he opened the floor for Q&A, and as it was ending I asked him to tell us what his next book project might cover.  He gave me a quizzical look and responded that he was still working on Lost Prophet, and that he was not ready to think beyond the book because there was still so much that remained to be done with it.  It is only now, years later, having finished Battling Pornography, that I truly understand what he meant.  Will I write a subsequent book that deals with the pornography problem from 1986 to the present?  Maybe.  First, I have to see where this book takes me.  I won’t know for sure what is next until I see how Battling Pornography is received, how it factors into both academic and popular discussions of the pornography problem, and whether it raises a new set of questions about pornography and society that I had not previously considered.  I can tell you that questions around media representation and women are an enduring intellectual interest for me, and the issue of pornography will remain central to that subject.  

How have pro-porn (or pro-sex-work) feminist folks responded to the book?

The feedback I have had thus far has primarily been from the women’s history and gender studies communities, and has been quite positive.  The book is so new that word is just getting out about its publication, and I might have a more interesting answer for you several months from now.  I think that I make a good case for the pro-sex feminists in Battling Pornography and offer a fair account of their intent to challenge the unremitting focus on sexual danger that they saw in the anti-pornography movement, and their wish to speak about sexuality as a positive force for women in terms of pleasure, agency and self-discovery. 

I hope that feminists who support pornography and sex work will come to understand that the core movement objection was to violence, not sexuality.  I think that some of the modern day adult entertainment that is created with a feminist sensibility in mind would not raise the same set of concerns as mass market male-oriented pornography that is said to exploit women’s bodies and dehumanize both actor and viewer. 

One of the interesting things about the book is that I can see various "sides" choosing to cherry pick from the histories of the movements in order to bolster their causes (I'm thinking here of a thread you point out describing how anti-violence-against-women leaders decided that being anti-porn would help get the word out, for instance--a move that might be characterized by some as taking a cue from Mad Men style of advertising).

Well, I expect that’s always the case with a book published on a hotly contested topic, and pornography certainly qualifies as such.  As an author, I think that you have to write a narrative that makes the best possible case for your point of view, present your evidence clearly, offer what you see as the most logical and persuasive conclusions…and then understand that no two people are going to interpret your text or use it for their own purposes in exactly the same way.  I assume that some readers will come away from Battling Pornography thinking that I am a staunch anti-pornography feminist and that the book proves beyond the shadow of a doubt that we need to mobilize new efforts to pass legislation.  Others will read it and determine that I am a card-carrying member of Samois, a Bay Area lesbian feminist S/M rights organization active in the late 1970s and early 1980s which was a major foe of anti-porn groups.  Given how strongly people feel about the topic, it’s fair to predict that the evidence and arguments in the book may get misrepresented at times to serve other people’s academic or political purposes.  But, if you choose to write a book about pornography, you have to be prepared to enter the fray and live with the consequences.  It’s not a neutral issue.