"The women of Bikini Kill let guitarist Billy Karren be in their feminist punk band, but only if he's willing to just "do some shit." Being a feminist dude is like that. We may ask you to "do some shit" for the band, but you don't get to be Kathleen Hannah."--@heatherurehere


Showing posts with label porn. Show all posts
Showing posts with label porn. Show all posts

Friday, June 14, 2013

Feminist Porn In Context


Note:  This is one of a series of posts about articles in The Feminist Porn Book. The other posts can be found here

Lynn Comella has a great piece in The Feminist Porn Book with the lovely (if academese-ish) title "From Text to Context: Feminist Porn and the Making of a Market" in which she gives us some of the historical of feminist porn as part of a way to contextualize current feminist porn.  Interestingly, this is done as a sort of response to some of the usual critiques by antiporn feminists, which are often "essentialist and reductionist".  Comella tells us:
Sex-positive feminists—those who make, watch, study, and write about pornography—are frequently accused by antipornography feminists of lacking any meaningful critique of the mainstream porn industry. And while antiporn feminists may occasionally acknowledge porn made by and for women, they typically do so only in passing before dismissing it as irrelevant. The reasons for this vary, but include the stance that pornography geared toward women comprises such a small segment of a much larger industry that its effects are virtually negligible, or that porn for women apes, rather than challenges, the dominant codes and conventions used by mainstream pornographers whose sole motivation, according to this narrative, is profit. The notion of “sex-positive synergy” challenges these arguments.
I must admit that the phrase "sex-positive synergy" makes me cringe--but "synergy" is being used as a technical term here:  Comella is making a case that the entire history of sex-positive feminism should be taken into account when examining feminist porn.  Feminist porn didn't arrive in a vacuum, and neither did it come simply as an aping of mainstream porn, as is often portrayed by antiporn folks.  It came as part of a cultural package that included other sex-positive facets of culture, including feminist sex-education efforts, feminist sex toy stores, lesbian feminist products and the like.  

Comella traces several threads of this cultural package which I encourage folks to read--I learned a lot about how many feminist porn creators came to be creating feminist porn--and the part that places like Good Vibrations played in all of this.  

In addition, Comella makes one of the most rigorous responses to Gail Dines, who is famous for armchair-analyzing things she doesn't know much about. Just a tidbit, to whet your appetite:  
The seminar Dines references—although did not attend—was one that I had moderated and helped to organize. In fact, joining me on stage were two feminist sex-toy retailers, Jacq Jones from Sugar in Baltimore and Mattie Fricker from Self Serve in Albuquerque, accompanied by Carol Queen from Good Vibrations, Diana DeVoe, a female porn producer, and Greg DeLong, the founder of Njoy, a sex-positive company that makes high quality, stainless steel sex toys. It was hardly the cesspool of women-hating “tricksters” and “predatory capitalists” that Dines describes; rather, the very composition of the panel reflects the kind of sex-positive synergy and entrepreneurship I’ve discussed throughout this essay.
I love that Comella points out that Dines was basically making shit up, while other feminists were actually doing feminist work.  I plan in the future, when folks who "critique" feminist porn by merely saying that it's aping mainstream porn, to quickly point to Comella's article, which soundly undermines such ideas with, y'know, facts and stuff. 

Bonus! Here's a talk by Comella with some of her research:
Lynn Comella, PhD from New View on Vimeo.

Thursday, March 28, 2013

Men! Gail Dines Wants to Save You!

Still working my way (slowly) through The Feminist Porn Book, and still really enjoying it.  I used to be an academic, but no longer consider myself one, so I appreciate how the different writers selected for this book approach the subject from different angles; some of those angles are more traditionally academic than others, as is the case with "Emotional Truths and Thrilling Slide Shows: The Resurgence of Antiporn Feminism", by Feona Attwood and Clarissa Smith.  Attwood and Smith are researchers who wrote this article in part to point out that antiporn feminist analysis has moved away from academic analysis (with, y'know, facts and stuff) and now relies more on the kinds of shock and awe tactics that the religious right has been known for using. 

I appreciate their take on things, in part because they zero in on something that has been bothering me for a while about antiporn analysis, but something I was unable to pinpoint myself:  Antiporn feminist analysis has as an underlying feature the idea that there is good, normal sex that good, normal people have, and there is bad, abnormal sex as is portrayed in porn.  This isn't anitporn feminists' explicit argument, of course, but as Attwood and Smith point out, it's implicit in their change of methods from more academic/scientific methods to methods which are used to get an emotional rise out of folks.  They point out that antiporn folks most often now do a comparative sketch of sexual development, comparing 'normal' sexual development which may or may not have included seeing your older brother's Playboy magazines, as up against current sexual development, which now includes easy access to modern-day porn.  In their analysis of Decca Aitkenhead's ideas, they note:
"In her address to a presumed audience of coupled, heterosexual women, male sexuality is naturalized as inquisitive, but in danger of taking a wrong turn if subjected to the wrong kinds of images at too early an age. Aitkenhead calls upon her readers to reflect on their own experiences of life with men who were schooled in the quaint transgressions of the Kays catalogue, and to envisage the tortured imaginings and sexual mores of future generations of men who, as children, have seen the excesses of bukkake. It is this mangling of what had seemed genuinely yet innocently transgressive in the halcyon days of the 1970s that renders contemporary pornography so potentially threatening, made all the worse by being too easily obtained...This complex narrative of nostalgia and futurology is a central theme of these accounts where pornography is acknowledged as an already existing feature of the landscape, but one that has developed outside the knowledge of “ordinary” adults and needs urgent redress."
Of particular interest to readers of Feminist Allies, however, may be Attwood and Smith's analysis of how antiporn feminists like Gail Dines see themselves as out not only to help women, but to "save men":
The “domino theory” of the passions is invoked here along with a search for increasing levels of stimulation that leads inevitably toward more misogynous and damaging material. Pornography programs men’s sexual instincts and can have only one possible trajectory—to ever more encounters with sexually explicit imagery and toward more and more “extreme” material. Men’s sexuality is figured as totally plastic, intrinsically so—a barely constrained appetite that has to be civilized and ought to be kept away from the inflammatory influence of sexual media for its own good...

...[t]he view that underpins this approach can be usefully compared to the “crystal clear set of guidelines” about sex, set out in evangelical Christian and other conservative antiporn campaigns: “sexual pleasure is for men and women to enjoy inside marriage,” but those who fall from grace and are willing to repent can be forgiven. Under the guise of a politics based on gender equality, antiporn feminist writings are increasingly modeled on this religious approach to porn, though using a medical model of “healthy sex” and discourses that encourage men to see themselves as addicts, or the victims of “grooming” by pornographers or popular culture, as “abused,” “consumed,” and desensitized.
I dig this analysis in part because it shows that many antiporn feminists are using one of the most egregious of patriarchy's fables about men:  That men are animals who can't control themselves sexually in the face of some skin being revealed (or, in the case of modern porn, in the face of seeing people enjoying anal sex, for instance).

They manage to fold in a brief criticism of Robert Jensen's work, which is always a bonus for me--Jensen is a darn good writer, and it's clear to me that his heart is mostly in the right place, which makes the stuff he says all the more frustrating.  Smith and Attwood point out that much of Jensen's analysis of porn is rooted in the idea that there is 'good, normal sex' and 'not-so-good, abnormal sex'.  Good sex is never public, but is always a deep, private experience:
This view of good sex as private rather than public, and clearly linked to love rather than to gratification, is also found in Robert Jensen’s work. Jensen argues that sex should involve “a sense of connection to another person, a greater awareness of one’s own humanity and sometimes, even a profound sense of the world that can come from meaningful and deep sexual experience."
Of course, some sex can include all of that, if we want it to. And some folks will really want to!  But some folks won't want to, or won't want to all of the time!  We are human beings--we create our culture, consciously and unconsciously; we create our sexual culture as well, and as such, there just isn't a normal/abnormal dichotomy that somehow exists apart from what we create. Sure, we can't make up any sexual ethics we want out of whole cloth--we have to consider our interdependence with other human beings and all of the ethical stuff that implies--but we can't look up 'healthy sex' in the dictionary and just do that; no such definition exists, and one definition certainly won't apply to all people.

And I want to thank Attwood and Smith for nicely pointing out that one thing that underlays much of antiporn analysis is the idea that there is some sort of writ-in-stone sexual morality that we need to 'get back to'.  There are good criticisms of some sorts of porn, but in general, folks like Dines and Jensen aren't doing it, and they are implicitly depending on conservative, normative tropes that are not based in the reality of beings that create what is normal.

Tuesday, February 26, 2013

Listening to Jiz Lee

I’m wearing a bright pastel blue suit I hand-dyed myself to match the suit worn by David Bowie in his music video for “Life on Mars.” I’m a dapper version of Bowie, standing for photos with a golden glammed-up Adrianna Nicole in one of the biggest and most outlandishly decorated homes I’ve ever seen. Adrianna has handpicked her co-stars, creating scenes from her personal fantasies. She reclines on a white chaise lounge, gold lamé legs wrapped around me, wide eyes hungry. My large, flesh-colored strap-on cock juts out from the fly of my David Bowie blue pants and my hand pushes forcefully into her mouth. It all feels so good. Warm, wet, incredibly intimate. My fingers probe her wide mouth. I could do this for hours.--Jiz Lee, The Feminist Porn Book
Reading the opening of Jiz Lee's article in The Feminist Porn Book makes me wonder:  How is it that anti-porn feminists can so easily disregard the experiences of a person like Lee, who has consciously taken on porn as part of their exploration of self, utilizing their body as a "canvas for art"?  Sure, Lee's experiences in porn (and in life!) may not be run-of-the-mill, but they are the result of conscious choices that have led to, according to Lee themself, a set of positive growth experiences, along with being part of simply making art. 

I often hear anti-porn feminists declaring that positive experiences by performers in porn are not only few-and-far between, but irrelevant--it's the general masses of porn performers who are being harmed, they say, and happy, successful porn performers are the exception that proves the rule. I know there are issues, serious issues, with sex work in porn--similarly there are serious issues with work in nursing, in sweatshops, in teaching. I also understand that sex work is different (for some!) than other kinds of work, in important ways. But I would rather listen to the sex workers themselves.  I'd rather listen to them tell me how it can be different, how the negatives and positives of porn play out for them, than assume that I know, or should judge whether folks should do porn for work. 

Consent is sometimes complex (can women who have a dearth of options for employment be consenting to do porn in the same way that men, who have more options, consent?), but Lee's experiences opens our eyes to the cases where the consent is not only fairly obvious, but fundamental to what they are doing--specifically, in queer porn. Lee says: 
For example, the decision to shave my legs for queer films, like Superfreak, was my own. The key is that it is a choice, not an ultimatum...[c]hoice, or performers’ sexual agency, is one of the main differences between queer porn and mainstream genres...[I]f there’s one thing that makes queer porn different, it’s respecting a performers’ choice—the choice to safely fuck how they want and to look how they believe is sexy.
Lee's article is a perfect example of what listening to folks who do porn can do to one's ideas about working porn--I was always aboard with queer porn's politics (among other things!), but Lee solidifies things for me, because Lee is taking "the personal is the political" very seriously, as I think all feminists ought to do:  Where sexual identity and gender identity (among other identities) intersect with porn performing, there is much to be learned, Lee thinks, and I take them at their word:

My mixed identities have led me to conclude that there’s no right or wrong, no definitive experience, no one way of looking at the world. Nothing is black or white, and that fact is even clearer when you’re gray.
I think their article alone is worth the price of The Feminist Porn Book. 
 
Links:
Lee's site.
The Feminist Porn Book.

Tuesday, June 28, 2011

Porn Conversations

I've wanted to write about Robert Jensen's book, Getting Off: The End of Masculinity, ever since it came out, way back in 2007. The book is an anti-porn manifesto, but it also attempts to be a critique of traditional masculinity as well, advocating, as it says in its title, an end to masculinity. For such a slim tome, this is quite a goal, and it falls short.

One of the reasons I've been hesitant to take on Jensen's book in any substantial way has to do with the difficult, vitriolic "discussion" of pornography and sex work both within feminist communities and in the world at large. These are emotional issues (as they should be), and there is an understandable tendency toward oversimplification and over-generalization on all sides of the issue. As with many other issues, especially when they're discussed on the internet, the idea of giving a charitable reading to something sort of goes out the window--and I totally get that, since aspects of Jensen's book make me want to claw my eyes out in frustration, rather than "read charitably".

Which is why I have actually enjoyed the recent discussions between Meghan Murphy and Hugo Schwyzer, which were an attempt to have a conversation about "pornstitution" that would help everybody better understand at least some of the disagreements between (some) sex positive feminists and (some) anti-sex-work feminists (it is difficult to use neutral terms here). Just the attempt to have the discussion was refreshing, and I commend both Megan and Hugo for making the attempt; that said, most of what was clarified for me was the problems with the arguments (and attitudes) of the anti-sex-work folks. Which has led me back to re-reading the Jensen book, and working on some posts about the book, and about the anti-sex-work positions in general.

Before I begin with the book though, a preview of some of the ideas I want to examine, starting with just a little piece of the conversation that Meghan and Hugo had, because I think it highlights a particular theme that the anti-sex-work folks just get wrong.

Can People Choose Sex Work?
Meghan is frustrated with actual sex workers who put themselves forward as examples of people who have chosen to do that kind of work, and who don't consider themselves particularly oppressed. She says:
“Re: the teeny minority of self defined “sex workers” who enjoy it. Since when is enjoyment or pleasure or *feelings* of empowerment–*feelings* in and of themselves- the same as truth or reality? What sort of argument is being made here? Feelings are also socially constructed in a capitalist/patriarchal society: think of mania for commodities; see the mobs going crazy after sports events (like in Vancouver now?). Lots of feeling there: does it mean consumerism and mob-violence is ok? Men feel empowered by raping: so, do we validate rape? Abolitionists of slavery didn’t care what made a few slaves content–slavery is wrong. Selling people is wrong, no matter how content someone is to sell themselves. These ideas about individual empowerment and pleasure are all part of the way we are bamboozled in neoliberalism. Since when has being content with one’s lot stood as an argument that one’s lot is therefore just and right? We don’t have to tell an individual woman “porn star” about what her “experience” is in order to critique the prostitution of women as a societal institution–to critique the demand by men that women’s bodies are for sale.

But of course people who want their voices heard aren't speaking up because they think their choice means that everybody has the same choice that they do. Instead, some folks who do/did this kind of work offer themselves up as counterexamples to the claims that some radical feminists make that sex-work can't even exist as work, because one can never, ever choose it without being in some sense coerced. Murphy chooses to place the term sex work in scare quotes when talking with Hugo, which follows suit with the idea that there just is no such thing as sex work, because all sex work is coercive. A sex worker who wants Meghan to listen and acknowledge that some porn work is chosen freely isn't asking Meghan to then never critique porn as a larger industry; she (or he, or zie) is asking Meghan to ditch the claim that doing porn can never be a choice.

And clearly there are lots of folks who don't have a free choice--sex trafficking, for instance, is a clear case of coercion (and, because it's obvious coercion, we shouldn't call it sex work. And clearly there are huge problems with the production of pornography--but that still doesn't mean it is the case that folks can never choose to do sex work. Some anti-porn folks acknowledge this, but when they continue to use scare quotes around the phrase sex work, I'm not sure why they don't understand that folks who do sex work feel silenced by that.

Thursday, March 03, 2011

Sex-Negativity in Porn Criticism

Whenever folks talk or blog about porn, there are always strong reactions (and lots of hits!), often overstated or oversimplified. I noted a long time ago that I agree with Lisa Jervis when she asks: Can't we talk about porn without having the same conversations over and over again? Human sexuality is complex, and our relationship to porn is complex--the conversations we may want to have about porn should necessarily be kinda intricate.

That said, why is it that most porn criticism I read tends to have an undertone of sex negativity? I like criticizing porn--there are so many reasons to do so, and I think it's important to not just take so-called "porn culture" as a given. We should criticize the industry for its sexism, racism and transphobia (of course, such criticisms should also be dealt out for most industries!). We can examine the ways in which porn and easy access to it can, has and will change our sex lives. But I wish that we were having such conversations within a larger conversation about positive sexuality, rather than framing the conversations within mostly heteronormative, not-kink-friendly frameworks.

Take Marina Robinson's article about the ways in which porn viewing may be changing the structures in the brains of young men. There's some interesting stuff in there. In particular, it's interesting to read her take on how the so-called "reward circuitry" of the brain may reinforce sexual habits in a way that we may want to pay close attention to. I'd say that the science still seems "iffy" to me, but it definitely worth lots of more study, and, like I said, it's interesting.

And yet, she has to throw in subtle moralizing that, for me, undermines her persuasiveness. For instance, she says:
"Masturbation based on imagining affectionate contact with a real potential mate is stimulating enough, especially for a teenager. But masturbation based on shocking stimuli, by gradually numbing the brain, can shift the user’s priorities away from real potential mates."


There is a lot of loaded language here, and it seems to me that she must know that the language is loaded--she was a lawyer before going into the porn-criticizing business with her husband, so I imagine she chooses her words very carefully! And yet, she is above saying quite clearly that one's priorities when having sexual fantasies should be on one's "real potential mates".

To which I ask: Why? And who gets to decide that? I mean, if one's sexual fantasy life is larger than one wants it to be, that's one thing--but the idea that, somehow, the goal of fantasizing is to only imagine "affectionate contact with a real potential mate" seems (if you'll pardon me) perverse.

And this betrays her view of masturbation in general, a view which has rung out through the ages: Masturbation is practice for the real thing. And this is a limited (and limiting) viewpoint. Masturbation can be practice, for sure. But it can also be having fun with oneself. Sometimes we may want to simply be alone and jerk off. Of course we might want to take care that we don't over-isolate by doing so, and we will need to navigate our other sexual relationships (if I jack off too much when I'm alone, and don't feel like having sex with a partner, that does mean something). But starting from a place where we only masturbate as practice is limiting ourselves unnecessarily.

And the sex-negativity comes out in other ways. I mean, she argues against the use of "sex toys" (though she doesn't define what a sex toy is--are buttplugs sex toys? are feathers? how about a bed?) as another "overstimulator". These are toys! You play with them! Of course they shouldn't be the only thing you use to get off--unless, of course, that's what you're into.

It's stuff like the above that makes me question whether the science is being made to fit very limited views of sexuality, rather than coming in to explain what's going on.